Launched in 2006, night at the Museum-trilogy záródarabjához (presumably), and probably not many people will be required to continue: this idea was the appearance of the Museum object at the time, and failed to update the third try.
The boot part of the Ben Stiller portrayed Lawrence unemployed, divorced and urgently need a job, not to lose the right to access the son permanently, so after the firstoncoming work says Yes, and it will be the night watchman at New York's natural history museum (Museum of Natural History). But whoops! This museum is not like the other (since both here at night come alive with the objects and figures, thanks toa magical Egyptian table), but they're not, because such a Museum (in the form of dead yet) I think there is no point to anywhere in the world-has me someone a self-respecting kurátort, who issued a T-Rex skeleton, along with Pictures, Teddy Rooseveltet, an average csuklyásmajmot a szoborfejet of Easter Island and West of Rome and his miniature, all from the smallest historical akkurátussággal.
Of course, this basic koncepióbeli solution (laziness) are yet to be protected by thatmost children were meant to be in the movie, but even more so in the first part of the felt that the film's writers and directors familiar with the only has appeared in museums, and this is pretty much all they can teach a child actors, the canvas is displayed as Tom and Jerry, the real consequences of the pofánverés.
And exactly on the above argument, as well as the second part of the movie (night at the Museum 2) points out that what we need to start this type of alapötlettel: not to be taken seriously, and you'll have fun. The middle section of the first part of the trilogy that used to duck into some of the Smithsonian, elarchiválják characters and has since become an vedlett to be successful (and therefore, of course, too little time with her son) Lawrence itself undertake the task to free Pictures, Octavian becomes the coolest Teddy Rooseveltet. And in spite of all the things ökörség is superior, forgivable because horrible fun (rather than the first). There are plenty of cute Visual and narrative idea to spice up your naftalinszagú alapszituációt, the actors receive abobblehead-Einsteinektől big answers, Amelia Earharttal, famous kergetőznek, photos and paintings while the evil Pharaoh, was trying to beat. Here at least the exhibitsto life constitutes an objection to kavalkádjára Smithsonianbe, to break into the world's largest Museum of the protagonists, and the whole movie is unpredictable, creative and fun, and unlike the first section does not become troublesome in the amount of számolatlan.
The same cannot be repeated in the third part: újrahasználtnak, every idea seems to be that this time, others were only the Screenwriting assignments, and the ability to imitate the earlier ideas (this time futkároznak other paintings of the heroes, rather than as the adventurous Amelia Lancelot will accompany them as new, and this time it took place in the Egyptian handbabanda and saving the target to the usual figures). The personal, father-son thread is perfectly useless, futile and quite dubious value lessons ("you don't have to go to College, my son, if you prefer to clean you").
The series is the most predictable part of the (unjustified javerészt) celebrity-felvonultatás: the first part since visszatérője renamed Owen Wilson, Steve Coogan, Ricky Gervais, Mickey Rooney and Robin Williams (the latter two of whom this is the last live-action film), and the izzadságszagú attempts to "modern" comedy elements becsempészésére: the second part of Stiller's character Jonah Hillel affair with a rockin'(and witty) Exchange, this time the Rebel Wilson lately more and is a courtesy service comedienne, but this cast is James LaBrie conducted, only repetitions of the second portion of the szagúnak feel.
Lancelot (Dan Stevens) trying to film, Lawrence poénkodni, saying that it is very bóhócára, the former Court to remind the ones all the way to keep a cut and yet it was funny. Stiller's character not see them again in a minute, the hasonlaton, and so is the movie as a whole also a single Spectator: as much as I try to make us believe it's no fun for a minute. Is some creativity and (real) could also have more self-irony. So, however, only a sad, unworthy, and this year two remains a great memento of the deceased.
Không có nhận xét nào:
Đăng nhận xét